Showing posts with label twitter. Show all posts
Showing posts with label twitter. Show all posts

Wednesday, July 30, 2014

Thoughts About Thoughts About Lucy

     This was too long for a tweet, so I decided to put it here. In the past few days I have found two articles about the movie Lucy that have been very striking to me. Most every article, tweet, and FaceBook post about the movie has said it's terrible, so that part really is not up for debate. Here's the thing; I've been criticizing theMarySue.com both for it's #SolidarityIsForWhiteWoman nature and having a definite case of #LenaDunhamSyndrome. If you're not up on your hash-tag activism, I'll explain. The first one refers to the idea that mainstream feminism is only concerned with the problems of middle-to-upper class White American women. The second is a phrase I coined to describe the common excuse White writers use for not including people of color in their work, that being “I don't know any of 'them' so I can't write 'them', address 'their' issues, ask one of 'them' what 'their' life is like,” etc.
     Lucy is drawing a ton of criticism for its plot, writing, and direction. Thankfully ScarJo has escaped this criticism, because she is too good for the human race, and if we displease her she may forsake us for the race of Celestial Angels from whence she came. Much of the criticism centers around the films depiction of race, especially when concerned with the origin of our species. Critics have also had problems with the film's depiction of humanity's highest evolved form being a blonde White woman (the vast majority of humanity is not that.) These are interesting talking points that a female-centric geek blog would do well to focus on, right? You would think so, but this is the article that The Mary Sue ran: “Today in Female-Led-Movies-Obviously-Don't-Make-MoneyNews, Lucy Beat out Hercules This Weekend.”
     A pretty inoffensive title to a entirely inoffensive article. The article, written by Victoria McNally (@vqnerdballs) uses a snarky, sarcastic tone to convey the idea that even a bad female-led movie can make money. It ends by saying there's no good financial reason that Hollywood studios aren't making female-led superhero movies. Both of these points are entirely valid ones that I agree with. Then I read the article that The Huffington Post ran about Lucy, and well, it goes like this: “Lucy: Why I'm Tired of Seeing White People on the BigScreen.”
     A provocative title, and one that that has brought a ton of grief to the author's twitter account (Olivia Cole, @RantingOwl) begged me to read it. The article describes in detail the many race-related flaws with Lucy and with the Hollywood thought process regarding race in general. Ms. Cole is a White woman, and she manages to deftly communicate many of the same issues that people of color have been complaining about in regards to the entertainment industry for decades. As Ms. Cole has acknowledged on her twitter account, it is sad that these issues are only now coming to the attention of many White Americans because a White person has brought them up.
     Please understand , I have no problem with the idea of Ms. McNally's article; my main problem with it is it's shallow. If you look at most articles published on The Mary Sue, you will see that many of them are equally shallow, homogenous, and toothless indictments of pop culture. One would think that such a site would be more aggressive in getting its point across, not just for White women but for all women. But that's not the case. Ms. Cole's article that appeared on The Huffington Posts's Entertainment site, had far more bite and, in essence, did far more to expose the issues of all women than any article on The Mary Sue has to date. If you kept the articles the same but switched the sites, what effect would it have? There would be little to no effect on the HuffPo site, but The Mary Sue would be revolutionized and do much to show that it is a site for all geek girls of all colors. It is an easy cure; The Mary Sue, if it is not going to make a concerted effort to have a more inclusive staff, at the very least would do well to hire more writers like Ms. Cole.


If you like or hate this article, let me know on Twitter, @DonCoyote

Thursday, March 29, 2012

The Decepticomics NYC Comedy Show

“The most wickedly Hilarious crowd-pleasing comedy show since Martin and Lewis!” - AARP Magazine*

“The Beatles of Comedy! I mean there are more than four of them, and one's a woman. We just like to say that everything is the Beatles of something. ” - Rolling Stone*

"A fast, furious, and ferociously funny farce of a show in the conventional culture of The Comedians of Comedy.” - Alliteration Magazine*

“Unholy. Blasphemous.” - Christian Science Monitor*


DeceptiComics Comedy Show returns to New York City, NY on Thursday April 26th at the Parkside Lounge located at 317 East Houston Street, New York, NY 10002. Show starts at 7:30pm sharp and admission is $15 at the door, $10 in advance at http://decepticomics-nyc.eventbrite.com


Wednesday, January 4, 2012

The DeceptiComics Comedy Show




See what these publications may or may not have said about The Decepticomics!

“The most wickedly Hilarious crowd-pleasing comedy show since Martin and Lewis!” National Geographic

“The Beatles of Comedy!” - Rolling Stone

It just may kill you with laughs. A fast, furious, and riotously funny farce of a show in the tradition of The Kings and/or Comedians of Comedy.” - ELLE Magazine

“Insanely funny.” - Christian Science Monitor

DeceptiComics Comedy Show premiers in New York City, NY on Thursday February 9th at the Parkside Lounge located at 317 East Houston Street, New York, NY 10002. Show starts at 7:30pm sharp and admission is $15 at the door, $10 in advance.

The DeceptiComics are four malevolent comedians, brutal, merciless, and hilarious. Their purpose, to conquer and destroy audiences with brutal wit and deadly punchlines. They are driven by a single undeviating goal: total domination of the entertainment universe. In the war that rages between staid, boring comedians of the past, and the newer, sleeker, more technologically advanced DeceptiComics the Earth city of New York will serve as the final battle ground.

Cerrome Russell, born and raised in Sumter County, GA, started his comedy career 10 years ago while serving in the United States Marine Corps. He was first exposed to a broader audience as a cast member on the 2nd Season of BET's popular prank show Hell Date. He has traveled extensively, performing at college campuses and military installations worldwide. Truthful, country and off-center Cerrome Russell's comedic style covers a wide range of

Dillon Stevenson is a comedian and writer based out of New York City. He’s performed stand-up at New York Comedy Club, Comix, Broadway Comedy Club and Gotham Comedy Club and other venues in NYC. As a co-founder of the comedy group G.R.I.T.S. he’s written, directed and performed in sketch shows off Broadway & at benefits and events throughout the city. As a lifelong performer in commercials, short films, television & stage shows, stand-up is where Dillon found his place after graduating from St. Johns University with a bachelor’s degree in communications. With microphone in hand (a light saber would have been preferred ) Dillon is taking the New York comedy scene by storm. 

Mike Brown is a comedian and writer from Harlem, New York. He’s performed at Caroline’s Comedy Club, Stand Up NY, Laugh Lounge, EastVille Comedy Club, and other venues all over New York. He also hosts events, including one at SUNY where he did a pretty awesome job. Really! He knows that because 128 audience members became his Facebook friend afterward—and we all know how hard it is to get Facebook friends. Mike has a reputation for doing comedy absolutely anywhere; comedy clubs, cellars, bars, basements, gyms, laundromats, churches, colleges, condos, backyards, front-yards, attics, living rooms, bedrooms, bathrooms, Bed Bath and Beyond, funeral homes (to liven things up), mobile homes, retirement homes, wherever. And for the record, Mike Brown loves comedy much more than writing about himself in the third person.

John Minus is a comedian, writer, and all-around great guy who lives and breathes his home state of New Jersey. He has been described as having a sense of humor “darker than his skin” by racist comedy critics. He refers to his style as “Tragi-Comedy”. John opened for Robert Klein in October of 2011 in Cherry Hill, NJ. John spoke with Mr. Klein after the show, and was informed that he was not at all horrible. So, he continued his fledgling comedy career nonplussed, no pun intended. He is willing to do anything and everything to be entertaining, up to and including dropping his pants at a moment's notice. He doesn't need to do that, he just likes to. Eschewing traditional Black Comedian tropes, John has never dressed in drag. Well, rarely dresses in drag.

Tickets are $15 at the door, $10 when purchased in advance. Advance tickets can be purchased on Eventbrite.com.

The Decepticomics Comedy Show is an Exit Eleven Production. Lineup subject to change without notice. For more information go to facebook.com/AlterNegro, or http://ExitEleven.blogspot.com